The Hidden Allure of Arjuna’s Cave

It all

There are two Arjuna Gunarathnes. One is extraordinary. Every artistic medium springs to life when he puts his hand to it. Give him a pen and black ink and he will invent unprecedented and unforgettable surrealistic mutations of the human figure. Give him watercolours and wasli and he can create miniatures with a delicacy, wit and tonal poise matching the classic achievements of that South Asian tradition.  With pastels to hand, or with staining ink washes, Gunarathne is instead explosively expressive, pushing saturated colours to an extreme of heartstopping intensity. And then, switching from his virtuoso use of these lightweight media, the same artist wrestles with the hefty physicality of oil paint and persuades it to speak for him, establishing a highly individual brushwork that as it were combs through his own stout impastos. Gunarathne has collected all these different techniques and made each of them his friend, in the way that just a few people can strike up an immediate sympathy with whatever animal they happen to meet. The rest of us shake our heads in astonishment: how on earth do they do it? (I myself was one of those watching others, when I had the pleasure of getting to know the artist at the Royal Drawing School in London some four years ago.)

Julian Bell

29 November 2022

I Respond to My Environment.

Spontaneity in isolation is where my practice flourishes. 

Take a minute to write an introduction that is short, sweet, and to the point. If you sell something, use this space to describe it in detail and tell us why we should make a purchase. Tap into your creativity. You’ve got this.

Chronology

Some of the photos